The acting is fine, and the characterization is well-developed. The cinematography here is not to be missed.

There's a crisp, almost monochrome color palette of white snow against black night, with a touch of resonant blue and a splash of red thrown in for good measure. The setting is immersive, with richly contrasted color. The non-supernatural sequences are likewise artfully crafted, with the camera often functioning as a ghostly voyeur. The supernatural sequences have the twisty, extradimensional, mechanical cadaver feel of Tarsem or of a late 90s Marilyn Manson video, and the disorienting special effects are done with a sleight-of-hand (digital or practical, I'm not sure) that's seamless and very impressive. In spite of that, this movie is gorgeously lensed. The skeletal forest invokes the atmosphere of dreams and as the film delves into the realm of the avant-garde, its blue-toned cinematography draws us into the sea of the subconscious.I don't know much about the background of this movie, but I know it was made on location by an actual family, probably with a budget of next to nothing. A stunning portrait of resourcefulness, the family filmmaking team capitalizes on their life in the Catskill Mountains to create a unique icy tone.

They also star, shoot and compose the music for the film. A family affair, the movie was written, directed and produced by John Adams, Toby Poser, and their daughter, Zelda. Plot : In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger. Stars : John Adams, Toby Poser, Zelda Adams, Shawn Wilson

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